Category Archives: #digitalmarketing

MTV’s Real World will be revived with interactivity on Facebook Watch

The world’s first hit reality show “The Real World” is being reimagined for Facebook Watch 26 years after it debuted on cable. Come Spring 2019, fans will get a chance to vote on who’ll join as the final cast member and connect with the housemates through Facebook Watch Party’s synchronized viewing chat rooms as they “stop being polite and start getting real”.

It has been a year and a half since the 32nd and most recent season of The Real World aired on MTV. Deadline recently reported that the show was being rethought for the web and shopped to streaming platforms. Now we know where it’s landing.

Facebook’s first truly tent-pole show for its Watch video hub could lure in viewers and offer a halo effect to other programs on the platform after a lackluster slate of mostly no-name shows launched alongside the feature in August 2017. But it’s starting to gain momentum, as 50 million people now spend at least 1 minute per month on Watch, and total Watch view time is up 14X since the start of 2018. For comparison, over 18 Snapchat Shows have over 10 million viewers per month. Users who do come to Facebook Watch spend 5X longer watching than on spontaneously discovered News Feed videos, which seems to have emboldened it to invest more in Watch content.

Facebook is hoping to outcompete YouTube Originals and Snapchat Discover’s Shows to win the mid-length social video market and the landslide of ad dollars shifting away from TV commercials.

As I wrote recently, there’s already plenty of user generated content to consume on these platforms, so the real opportunity is in super-premium shows that stand firmly apart from what litters feeds and Stories. Facebook Watch needs its own House Of Cards or Game Of Thrones. While it’s unclear how much Facebook paid for the Real World, it likely didn’t come cheap,  but now it has arguably the highest profile show of any of the platforms.

Facebook’s partnership with MTV and Real World-creator Bunim/Murray Productions comes as part of a slew of original video content announcements revealed today at the MIPCOM TV industry trade show.

The [Business] INSIDER original game show on Facebook Watch called Confetti will expand internationally — curiously without INSIDER’s help. Facebook tells TechCrunch it will work with local partners in international markets to create versions of the HQ Trivia-style live video game show where players compete through their phones to win cash prizes. EMEA, APAC and LATAM editions of Confetti will launch by the end of this year.

Facebook Watch will also launch The World’s Most Amazing Dog, an interactive global competition show. In partnership with The Dodo, the show will spotlight top dogs and their owners from around the world.

Now that Facebook’s ad breaks are running in 25 countries, it’s able to get serious about monetizing Watch and recouping its content investments. Facebook has been paying up front for these shows but hopes that ad breaks could wean creators off its cash and create sustainable businesses based on Watch. But with today’s Wall Street Journal report that Facebook underreported the scale of video ad view time metrics bug that inflated measurements years ago, it may face additional skepticism that Watch is worth studios’ investment.

But again, it’s the name brand of The Real World that could change Watch’s trajectory. Facebook has signed on for three different one season runs of 12 episodes of the show localized for the US, Mexico, and Thailand. The new slate of content could also make Facebook’s new Portal smart screen more attractive since Watch is built in. And with Facebook building a TV set-top box for next year, it will want premium shows worthy of bigger screens.

“The Real World made history as the world’s first original reality show and trailblazing social experiment — and we’re thrilled to reboot the show for today’s audiences — representing and amplifying the real life, real people, real places and real social tensions of each country” says Matthew Henick, Facebook’s Head of Content Planning & Strategy. It poached Henick from BuzzFeed earlier this year to bring some experienced leadership to its intersection of traditional studio content and the smallest screen.

Last week Snapchat announced 12 original shows including two produced by Bunim/Murray. Yet with the ephemeral social apps losing users as well as over $300 million per quarter, it was only able to secure new and unknown docuseries like Endless Summer and Growing Up Is A Drag.

Despite Facebook jamming the Watch tab into its main app’s navigation bar, many users have ignored it. They already get short-form clips in the News Feed, longer web shows on YouTube, and full-length series on Netflix and Amazon Prime Video. It will require more big bets like The Real World to convince users that Watch is where they want to relax.

YouTube is down, please don’t call the police

YouTube appears to be down, and the internet doesn't know what to do.

The video platform was inaccessible on Tuesday night, either showing a server error, a blank page, or broken images when people tried to load the website. 

The YouTube app also showed the same problems.

YouTube wrote in a tweet that it was "working on resolving" the issues, and apologised for any inconvenience that may have been caused.

Thanks for your reports about YouTube, YouTube TV and YouTube Music access issues. We're working on resolving this and will let you know once fixed. We apologize for any inconvenience this may cause and will keep you updated.

— Team YouTube (@TeamYouTube) October 17, 2018

More about Youtube, Social Media, Big Tech Companies, Tech, and Social Media Companies

Facebook News Feed now downranks sites with stolen content

Facebook is demoting trashy news publishers and other websites that illicitly scrape and republish content from other sources with little or no modification. Today it exclusively told TechCrunch that it will show links less prominently in the News Feed if they have a combination of this new signal about content authenticity along with either clickbait headlines orlanding pages overflowing with low-quality ads. The move comes after Facebook’s surveys and in-person interviews with discovered that users hate scraped content.

If illgotten intellectual property gets less News Feed distribution, it will receive less referral traffic, earn less ad revenue, and the there’ll be less incentive for crooks to steal articles, photos, and videos in the first place. That could create an umbrella effect that improves content authenticity across the web.

And just in case the scraped profile data stolen from 29 million users in Facebook’s recent massive security breach ended up published online, Facebook would already have a policy in place to make links to it effectively disappear from the feed.

Here’s an example of the type of site that might be demoted by Facebook’s latest News Feed change. “Latet Nigerian News” scraped one of my recent TechCrunch articles, and surrounded it by tons of ads.

An ad-filled site that scraped my recent TechCrunch article. This site might be hit by a News Feed demotion

“Starting today, we’re rolling out an update so people see fewer posts that ink out to low quality sites that predominantly copy and republish content from other sites without providing unique value. We are adjusting our Publish Guidelines accordingly” Facebook wrote in an addendum to its May 2017 post about demoting sites stuffed with crappy ads. Facebook tells me the new publisher guidelines will warn news outlets to add original content or value to reposted content or invoke the social network’s wrath.

Personally, I think the importance of transparency around these topics warrants a new blog post from Facebook as well as an update to the original post linking forward to it.

So how does Facebook determine if content is stolen? It’s systems compare the main text content of a page with all other text content to find potential matches. The degree of matching is used to predict that a site stole its content. It then uses a combined classifier merging this prediction with how clickbaity a site’s headlines are plus the quality and quantity of ads on the site.